Ali Ahadi (b. Tehran, Iran. 1984) is an Iranian-Canadian Vancouver based artist and scholar in humanities. His interdisciplinary practice spans from site-specific ephemeral installations to sculpture, photo and video-based works, writing and translation.
Ahadi’s work is constituted through addressing the problems of presentation and representation, monsteration and demonstration, and, finally, the relationships between aesthetics and contingent forms of abstractions. His proposed protocol of abstraction calls for what he terms a “monster”, an assemblage of a disorganized relations between the linguistic economy and the optical economy of an object.
Ahadi is an internationally exhibited artist. His last solo exhibition, Shit Yes Academy (Goh Ballet Academy) was held at the Ag Galerie of Tehran, Iran. He holds a PhD in Interdisciplinary Studies with a focus on continental philosophy from the University of British Columbia, where he previously received his MFA in visual arts in 2012.
Doctoral Thesis:
Ahadi’s doctoral research devises two new models for a critical approach to historical and contemporary issues in art, politics, and philosophy. These models are “Thought-Activism” and the “Visitor”. Thought-activism is a strategic and an ontological approach to the categories of “language” and “seeing” concerning the formation of a mutually inclusive account for “action” and “thought”, i.e., acting contingent upon thought, and thinking if and only if acting. In short, thought-activism is to be thought of as where the question of “what is to be done?” is bound with that of “what is to be thought?” and vice versa. The subject-figure of the Visitor is a reconfiguration of the category of the art spectator and of the art audience into the encountering subject position of the art Visitor